Thursday, April 10, 2014

DRAWING FINAL VIDEO PROJECT -SHADOWS, WHAT IS DRAWING, ANIMALS

Set a goal of Friday May 2, 2014 to complete your videos.
-Presentation sign ups will be from Monday May 5- Friday May 16, 2014

-THE VIDEO SHOULD CONTAIN THE FOLLOWING:
-2-4 minute video containing shadows, and found music (washing machine, airplanes, sirens, baby crying etc.)
-You can also sing in the video (optional but recommended)
-you can include family members and friends in production of the video

"WHAT IS DRAWING AND HOW CAN WE INCORPORATE THE ACT /ESSENCE OF DRAWING WITHOUT ACTUALLY DRAWING A PICTURE WITH TRADITIONAL TOOLS LIKE PENCILS/PENS/BRUSHES



ACTUAL PRESENTATION:
-You must wear a toga during your presentation and introduction of your video to get full credit.
-Prior to showing the video you must give a brief description of your process:
-inspiration, ideas, direction
-where did you find the found sounds/how did the element of chance enter into your video process?
-what did you learn about yourself during this video, what can you carry with you to other creative endeavors
-do shadows have feelings
-what is your definition of drawing?



DRAWING CLASSES CAN ALSO USE PETS IN THERE VIDEOS (refer to the painting and art history class rubric for complete information.

4.0  
-VIDEO 2-4 MIN.
-clear verbal communications with audience
-toga-creative toga, application
clarity-filming, sound
-design of story/theme is clear and identifiable
-required components: shadows, found sound, drawing alternatives, derived elements from artists' influences of Walker and Carroompas/Abramovic
2-4 min. in duration, clear verbal presentation/introduction/met all presentation goals and answered all required questions (process, inspiration, found sounds, elements, personal info

3.0 2-4 Min.
-toga creatively worn (or missing toga loss of one grade point
-clear verbal communication with audience-some starts and stops
one/or two missing components
-story design identifiable
-one/or two questions missing

2.0 Video
less than 2 min.
clear video/identifiable images
toga missing/or wearing toga
communication not complete (lack of complete preparation with components and inspirations
story design needs more clarification

*if your project is below this level- re-do's are open to discussion and strongly advised.

upload you video to edmodo, youtube or vimeo

ART HISTORY, PAINTING, FINAL PROJECT-PET VIDEO

-SET A GOAL OF FRIDAY, MAY 2, 2-14 TO COMPLETE OR BEGIN WRAPPING UP YOUR VIDEO.

-PRESENTATION SIGN UPS WILL BE FROM MONDAY-MAY 5- FRIDAY -MAY 16, 2014

-THE VIDEO SHOULD CONTAIN THE FOLLOWING;

2-4 MINUTE VIDEO OF YOUR PET.  IF YOU DON'T HAVE A PET YOU MAY BORROW SOMEONE ELSE'S PET OR USE A STUFFED ANIMAL OR PLASTIC ANIMAL ETC.\

-THE SHOULD BE SOME MUSIC/"FOUND SOUNDS INCORPORATED IN YOUR VIDEO. (found sounds mean; everyday sounds like a washing machine, or neighborhood noises, family sounds, television background noises, airplanes hovering, etc.)

-You can include your family members and friends to help or act in your video.

100-200 pts.

ACTUAL PRESENTATION:

-YOU MUST WEAR A TOGA DURING YOUR PRESENTATION TO GET FULL CREDIT.

PRIOR TO SHOWING THE VIDEO YOU MUST GIVE A BRIEF HISTORY OF YOUR PROCESS TO INCLUDE THE FOLLOWING:

-give a brief background of your pet, its age, how you acquired it, its personality and quality traits.,
-who is the major caretaker of the pet (even though it may be a family pet, there is usually someone who takes on the responsibility and love and care.

-what human qualities does your pet display?

-how are you an advocate for animal welfare? What can you do in the future to protect animals?

-how many animals have you had in your lifetime?

-what does your dream pet look like?

DURING THE FILMING:
-How cooperative was your pet, what special needs or modifications did you have to provide during the filming? (ie: extra treats, sweet talk, friends assisting)

-what was the major theme of your video, where did you get your inspiration?

UPLOAD YOUR VIDEOS TO EDMODO, YOUTUBE, OR VIMEO...

Sunday, April 6, 2014

Hieronymus Bosch and Eve Wood 16th century sees 21st century

Eve Wood "Bird with Hoodie" 2014
graphite, gouche













detail of the Garden of Earthly Delights 
by Bosch



1504 Triptych, Museo del Prado, Madrid, Spain

-Bosch (1450-1516) Netherlands
-Fantastic imagery, illustration of moral and religious concepts and narratives
-Late Gothic/Renissance 
-he created altarpieces for patrons in Spain and other parts of 
Europe
-in Spain he is known as "El Bosco", The Garden of Earthly Delights is on exhibit at the Prado Museum in Madrid Spain.  
-One of Bosch's most famous works. 
-3 part altar piece : The name from the beautiful garden in the center filled with birds, flowers and nudes.
                               -It also depicts the history of the world and the progression of sin.
-The outside shows the begin of creation-to Adam and Eve and the original sin on the left panel to the torments of hell, darkness, icy, nightmare visions. 
-The center illustrates the world engaged in sinful pleasures.
-The work was probably created for the private collection of a noble family.
-dates are not exact- the pineapple postdates Columbus early exploration to the Americas. 






Artist, poet, and writer
Education:
l996 University of Irvine, MFA in English/Creative Writing
    l994 California Institute of the Arts, MFA in Visual Art           
l992 Califorina Institute of the Arts, BFA in Visual Arts   

-2014 One of Eve Wood's current series is "birds with hoodies"
-The watercolors are a humorous, whimsical, and lyrical approach to portraying animals.  
-Wood often includes animals in her paintings and drawings.  In another series the birds are portrayed as invasive and harmful creatures. (nature vs. man)



Bosch (Paradise)


Eve Wood (Foxes)

"Assuming Eve Wood was inspired by Bosch's "The Garden of Earthly Delights":
1. How does Wood's painting of a "band of foxes" correlate to Bosch's panel depicting paradise?
(hint: color, placement, fluidity of paint, paint's application), 

2. What do you think about when you see animals dressed in human clothing or behaving/having the characteristics of a human being? (refer to the image below from Bosch's painting in which the bird-like creature (who is devouring a human) while portraying a creature of authority on a make-shift throne with a pot as a crown. ) (Wood's "Rooster with Hoodie"-)





3. Wood's "Hoodie Series" has humorous and whimsical notions combined with elements of uneasiness and "discomfort" displayed by some of the birds.  In her other bird series in which man's hands and arms are combined with birds causing/or being part of painful acts, there seems to be a relationship with Bosch's portrayal of hell and sinful acts.  How are acts of pain, fear, isolation exist in both artists' works?











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Sunday, March 16, 2014

Silhouettes and Lace-Kara Walker & Carole Caroompas

 
Kara Walker
American (born November 26, 1969 in Stockton, California)
- Atlanta College of Art -BA 1991, Rhode Island School of Design -MFA 1994
-Larry Walker her father is an educated artist and professor
-Walker learned to love art watching her father draw in his garage studio.
-She was 2 1/2-3 years old when she decided to become an artist.
-Walker is known for her room-size silhouettes addressing the horror and violence of slavery and racism. She emphasizes the reality of the experiences being sent throughout history and how easy it is to commit atrocities.  The images are based on 19th century stereotypes and part of her own hand designs.  "Backhanded cycle at bay..." Her art indicates that slavery and the horror is still alive enough for someone like her to make art about it.
 
 
 
 
 
 
 
 
 
Carole Caroompas
American (born November 14, 1946, Oregon City, OR)
MFA University of Southern California, 1971, BA, California State University, Fullerton, l968
-As an English major in her early college career, Caroompas' paintings and drawings are influenced by literature.  Caroompas discusses her work as belonging to the "Post-Modern Nostalgic" movement. The images in her work consist of personal experiences, family imagery, and "baby-boomer" imageries such as 1960's comedian, (political crusader for free speech), Lenny Bruce. 
-The lace component in her current work creates an additional layer in her work.  The lace provides openings into the past as well as shadows of memory. The paintings and drawings also include commentary on human sexuality, women's rights, gay rights, and the manipulation of our psyche by television and the movies.
-The text found on the drawings is also an influence of her love of literature and poetry and music.
Uncle Lenny-Gay Men
Uncle Lenny and Lesbians
close up of Uncle Lenny and Lesbians
Uncle Lenny Stand up close up

 
 
"I won't say ours was a tough school, but we had our own coroner.  We used to write essays like: What I'm going to be if I grow up."  Lenny Bruce
 
"A lot of people say to me, "Why did you kill Christ? I dunno, it was one of those parties, got out of hand, you know." Lenny Bruce
 
"If Jesus had been killed twenty years ago, Catholic school children would be wearing little electric chairs around their necks instead of crosses. Lenny Bruce
 
 
Carole Caroompas and Sandra Vista at Caroompas' solo exhibition at Western Projects 2007
 
Carole Caroompas record album cover
 
1. How does the smoke in front of Caroompas' portrait compare with lace surrounding the witch, (Endora from "Bewitched" TV show)in Uncle Lenny and the Lesbians? (What does it mean when the word "dike is in the vernacular"? (vernacular-part of everyday language)
 
 
 
 
 

 

2. Kara Walker states that her style of artwork is evidence of the horrors and atrocities of slavery and racism.  Discuss what you think she means by this statement.  How does the silhouette of the person with head manacle reflect her thesis.
 
 
 

 3. Why do you think that Walker and Caroompas use black paper as their primary drawing surface? (think about what "nostalgia" looks like to them-nostalgia by definition means yearning for the return of past circumstances, events-something that evokes an emotion, such as a book, movie, painting)
 

 
 
 

 
 
 
 
 
 

Thursday, January 16, 2014

Japanese Emblem Design Card for Teacher


JAPANESE EMBLEM CARD-NARRATIVE ESSAY
300-500 WORDS (100-150 PTS (PLUS)) TYPEWRITTEN
-Your essay can be made up of 3-5 paragraphs
(download on edmodo)

1. Describe the Japanese emblem that you have chosen and why it appealed to you.
2. Discuss/describe the teacher you have chosen and their qualities that interest you about the teacher (ie: virtues: honesty, integrity/humor/intelligence/kindness)
3. What are some of the reasons that you chose the teacher/how did the qualities that you listed above validate your choice?
4. What surprises occurred during the presentation of the card to you teacher? What were the unexpected events? How will your relationship change with your teacher? What are the benefits of presenting your teacher with the card?
5. What did you learn about yourself during the designing of the card? How was writing the haiku an added creative experience to your work?
6. What are the benefits of this kind of act of kindness and consideration? (how much has your heart "grown" during this process?)

JAPANESE EMBLEMS:
-DECORATE ATTIRE/IDENTIFY INDIVIDUAL OR FAMILY SIMILAR TO WESTERN FAMILY CRESTS
-EMBLEMS ALSO IDENTIFY CLANS AND FLAGS
-RANKS OF SOCIO-ECONOMICS LEVELS
-IMPROPER TO USE OTHERS EMBLEMS
-GEISHA'S EMBLEMS USUALLY USE CONTAIN A FAN





EXERPTS OF STUDENTS' ESSAYS REGARDING THEIR EXPERIENCES DURING THE PROCESS OF DESIGNING A CARD FOR ONE OF THEIR TEACHERS.



Ms. Juanita Granados- Spanish Instructor Libra Academy, Huntington Park, CA



Mr. Jaime Jimenez, Spanish Instructor, Huntington Park, CA, Libra Academy



Ms.Mi Chi Pham, Math Instructor, Libra Academy, Huntington Park, CA


Ms. Sandra Vista, Art Instructor, Libra Academy, Huntington Park, CA


The Yin and the Yang
by Salvador Ponce
     The reaction that I saw on Ms. Davenport's face was a huge surprise to me.  The reason why it was so surprising to me was because I do many foolish acts in her class, which made her angry.  In the small letter I dedicated to her, I simply wrote that I was going to try hard not to get distracted or make any more foolish acts.
     In my project there was one line that when she read it she smiled right away.  The line said: "I just wanted to remind you that in good there is always bad and in bad there is always good."  This is the reason why I chose the yin yang symbol because when I researched it and that is what it meant.
When she had finished reading she said that she had been wanting a picture or drawing of the yin yang symbol because of what it meant...



Haiku Card
by Alejandro Moreno
...The picture I chose was a dragon inside a flower.  I chose that picture because it was small, easy and had good meaning.  It could mean things like something very big trapped inside something very small.  My haiku was about that.  A dragon could be trapped in something as small as a flower.  I colored the flower pedals yellow to symbolize a regular flower, and the dragon blue to symbolize the sky.  The picture connected to me because I see many people held down by something smaller than them when they are stronger.
      I gave my card to Mr. Ring because he is very nice and I felt the picture was mostly connected to him.  Mr. Ring is a very hardworking person.  He comes to work everyday and exhausts himself to teach his students.  I need to do acts of kindness because people like Mr. Ring do so much to teach their students how to do math.  He also has after school programs to help students who need help or don't understand.  The picture fits him because he might get held down by all the work that he does.





Narrative Essay
by Sebastian Beltran
...What I learned about myself is that I really like to make stuff that make other people feel happy.  It also made me realize that I like to make creative designs.  Writing the haiku was an added creative experience to my work and made it look like it took more time and effort. ...The benefits of this act of kindness and consideration has made me feel more appreciative for the people at Linda Marquez for their work and for what they do. My heart has grown very much during this process because now I know that thanking people can be really helpful and change my relationship with that person in a good way.




Wednesday, November 20, 2013

Chinese Paper Cuts in Contemporary Art-The Alchemy from creating the paper cuts


Year of the Snake paper cut out


Sonia Romero- Los Angeles based artist


"Sacred Heart"- Sonia Romero


Leigh Salgado- Los Angeles based artist

 Leigh Salgado- gloves


Leigh Salgado- Lingerie


Chinese Paper-Cuts

-Paper-cut is a distinctive Chinese handicraft. It originated in the 6th century when women used gold and silver foil cuttings to decorate their hair at the temples.  Men used them for sacred rituals. Now they are used for festivals to decorate windows, gates etc.

-The main cutting tools are scissors or engraving knives.  In contemporary art the e-xacto knive is used.  Additionally, lasers are used today to expediate the art form.

-Newlyweds have red paper with "Xi" (happiness), for birthdays "Shou: represents longevity, a plump child cuddling a fish signifies that every year they will be abundant in wealth.
 
Paper Cutting and the use of paper as an art form is unfolding into a ubiquitous experience. With the use of recycled paper, more artists are motivated to use repurposed materials. Also the availability of new forms of paper materials, the need for more insulary and introspective art forms has contributed to various contemporary artists focusing on paper as an art medium.
 
This kind of labor intensive art forms allows for meditation and introspective.  These concepts can be attributed to Carl Jung's (psychiatrist l875-1961) concept of alchemy in art and the focus on the unconscious.
 
(Alchemy- transmutation, transformation, the ability to turn base metals into noble metals (gold, silver), the elixir of life (lapis) -Philosopher's stone - universal curative medicines (panacea)
 
Astrology, signs and symbols, parts of the body-chemistry
 
(ie: Chinese creation of black powder used for fireworks that turned into gun powder)
 
Leigh Salgado-youtube video "There's No Crying in Baseball"
 
How is the notion of alchemy a strong force in the creation of Salgado's paper cut pieces
 
1. "Getting your mind out of the way"-a direct path to the unconscious and the unknown to create artwork-non-verbal part of the brain-
 
`metaphors of baseball and art (baseball cut and dry-you are in or you are out-consistency  vs
  art -unknown
 
-shadows and dimensions- the importance of "shadows" in our existence
 
-time travel (using imagery from different time periods)
 
-masculine vs feminine (lingerie associated with men's desire vs. women's wardrobe and beauty and design)
 
-what is beauty